Iseenard: Oktober 2012

Selasa, 30 Oktober 2012

[A581.Ebook] Get Free Ebook Daily Word Ladders: Grades 1–2: 150+ Reproducible Word Study Lessons That Help Kids Boost Reading, Vocabulary, Spelling and Phonics S

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Students climb to new heights in reading and writing with these fun, engaging, reproducible word-building games! Students read clues on each rung, then change and rearrange letters to create words until they reach the top. All the while, they're analyzing sound-symbol relationships, broadening their vocabulary, and building spelling skills to become better readers. For use with Grades 1-2.

Sales Rank: #14369 in Books
Brand: Scholastic
Model: SC-9780545074766
Published on: 2008-11-01
Original language: English
Number of items: 1
Dimensions: 11.00" h x 8.28" w x .50" l, .90 pounds
Binding: Paperback
176 pages

Features

8 3/8 x 10 7/8

About the Author
Timothy Rasinski is a professor of literacy education at Kent State University. He has written over 200 articles and has authored, co-authored or edited over 50 books or curriculum programs on reading education. He is author of the best selling book on reading fluency entitled The Fluent Reader, published by Scholastic, and co-author of the award winning fluency program called Fluency First, published by the Wright Group. His scholarly interests include reading fluency and word study, reading in the elementary and middle grades, and readers who struggle. His research on reading has been cited by the National Reading Panel and has been published in journals such as Reading Research Quarterly, The Reading Teacher, Reading Psychology, and the Journal of Educational Research. Tim is currently writing the fluency chapter for Volume IV of the Handbook of Reading Research.
Tim recently served a three year term on the Board of Directors of the International Reading Association and from 1992 to 1999 he was co-editor of The Reading Teacher, the world's most widely read journal of literacy education. He has also served as co-editor of the Journal of Literacy Research. Rasinski is past-president of the College Reading Association and he has won the A. B. Herr and Laureate Awards from the College Reading Association for his scholarly contributions to literacy education.
Prior to coming to Kent State Tim taught literacy education at the University of Georgia. He taught for several years as an elementary and middle school classroom and Title I teacher in Nebraska.

Most helpful customer reviews

22 of 22 people found the following review helpful.
Kids love this !!!
By WKC
I teach resource special ed, and it is always a challenge to find something that the students LIKE to do. This is it! Everyday we "do a ladder". I give help and prompting based on the students need. It is easy to tailor this for each student. It improves their vocabulary and teaches them how to think. I have used this series with students from 2nd grade through 5th grade. I LOVE this series.

1 of 1 people found the following review helpful.
Probably the best book I've ever bought for my classroom the kids ...
By Courtney Grim
Probably the best book I've ever bought for my classroom the kids love it, subs love it, and many of my fellow teacher ask about it.

0 of 0 people found the following review helpful.
What a fun workbook!
By Mommy and Monkey
My kid loves this workbook. I told him it's a fun quiz book and it really is. It gives you clues and we worked to figure the words out. I will definitely buy this series again.

See all 78 customer reviews...

Daily Word Ladders: Grades 1–2: 150+ Reproducible Word Study Lessons That Help Kids Boost Reading, Vocabulary, Spelling and Phonics S PDF
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Kamis, 25 Oktober 2012

[J530.Ebook] Ebook Free Mark Rothko: A Biography, by James E. B. Breslin

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A book of heroic dimensions, this is the first full-length biography of one of the greatest artists of the twentieth century—a man as fascinating, difficult, and compelling as the paintings he produced. Drawing on exclusive access to Mark Rothko's personal papers and over one hundred interviews with artists, patrons, and dealers, James Breslin tells the story of a life in art—the personal costs and professional triumphs, the convergence of genius and ego, the clash of culture and commerce. Breslin offers us not only an enticing look at Rothko as a person, but delivers a lush, in-depth portrait of the New York art scene of the 1930s, ’40s, and ’50s—the world of Abstract Expressionism, of Pollock, Rothko, de Kooning, and Klein, which would influence artists for generations to come.

"In Breslin, Rothko has the ideal biographer—thorough but never tedious, a good storyteller with an ear for the spoken word, fond but not fawning, and possessed of a most rare ability to comment on non-representational art without sounding preposterous."—Robert Kiely, Boston Book Review

"Breslin impressively recreates Mark Rothko's troubled nature, his tormented life, and his disturbing canvases. . . . The artist's paintings become almost tangible within Breslin's pages, and Rothko himself emerges as an alarming physical force."—Robert Warde, Hungry Mind Review

"This remains beyond question the finest biography so far devoted to an artist of the New York School."-Arthur C. Danto, Boston Sunday Globe

"Clearly written, full of intelligent insights, and thorough."—Hayden Herrera, Art in America

"Breslin spent seven years working on this book, and he has definitely done his homework."-Nancy M. Barnes, Boston Phoenix

"He's made the tragedy of his subject's life the more poignant."—Eric Gibson, The New Criterion

"Mr. Breslin's book is, in my opinion, the best life of an American painter that has yet been written . . . a biographical classic. It is painstakingly researched, fluently written and unfailingly intelligent in tracing the tragic course of its subject's tormented character."—Hilton Kramer, New York Times Book Review, front page review

James E. B. Breslin (1936-1996) was professor of English at the University of California, Berkeley, and author of From Modern to Contemporary: American Poetry, 1945-1965 and William Carlos Williams: An American Artist.

Sales Rank: #831159 in Books
Published on: 1998
Original language: English
Number of items: 1
Dimensions: 9.38" h x 1.80" w x 6.50" l, 2.98 pounds
Binding: Paperback
764 pages

Amazon.com Review
"I became a painter because I wanted to raise painting to the level of poignancy of music and poetry." Born Marcus Rothkowitz in a small Russian town, Mark Rothko immigrated to Portland, Oregon, in 1913, when he was 10 years old. "You don't know what it is to be a Jewish kid dressed in a suit that is a Dvinsk, not an American, idea of a suit traveling across America and not able to speak English," he later told fellow abstract expressionist Robert Motherwell. Rothko was a weak child, an abandoned son (his father had gone to America in 1910 and died of cancer just seven months after the family was reunited), a Jew excluded from high school clubs, a Yale freshman on scholarship, and a college dropout determined to become an Artist with a capital A. James Breslin has written an exhaustive biography of the painter. He pulled together all the facts of Rothko's life and carefully examined all the strata of the artist's personality--Rothko's sensitivity, his sense of displacement, his pride and his diffidence, his combativeness, his love for his children, his hatred for Marlborough Gallery director Frank Lloyd, and his difficulties with money. The book is flawed only by Breslin's ticlike use of italics, which give the sense of the author tugging at our sleeve in an unnecessary effort to persuade: "Rothko's last and most severe renunciations were made not to remove obstacles between the observer and the idea but in a gesture of personal withdrawal." But this is a relatively minor trifle that does not unduly detract from this large--and large-spirited--book about a tormented, brilliant Artist. --Peggy Moorman

From Publishers Weekly
A hefty, bear-like man with voracious appetites, an alcoholic who withdrew into isolation and took his own life, Mark Rothko (1903-1970) made paintings that transformed despair into transcendent beauty. Breslin's biography, a splendid achievement, exorcises Rothko's private demons and explores how he invented a modern art which enacted his inner drama. Born Marcus Rothkowitz in Russia, raised in Portland, Oregon, from age 10, the painter launched an iconoclastic underground newspaper at Yale, became a "self-made proletarian" in the Depression, and progressed from expressionist urban moodscapes to surreal mythic pictures to the free-floating stacked rectangles that are his trademark. A melancholy man who never felt fully at home in his adopted country, Rothko festered with indignation as an outsider, but once he achieved fame and insider status, he felt corrupted and doomed by it, according to Breslin, a UC-Berkeley Enlgish professor and biographer of William Carlos Williams. Illustrated.
Copyright 1993 Reed Business Information, Inc.

From Kirkus Reviews
The full-bodied fruit of seven years' labor--a zealous, uncommonly kind portrait of one of Abstract Expressionism's irascible masters--from Breslin (William Carlos Williams, 1970). Marcus Rothkowitz, born in 1903 in the Russian city of Dvinsk, emigrated with his family in 1913 to Portland, Oregon. Rebellious as a youth, he dropped out of Yale after a taste of refined Eastern anti-Semitism, turning instead to Manhattan and the painter's life. Impoverished, Rothko lived in a series of cold-water flats and run- down neighborhoods during the Depression and WW II, often confronting the city's museum establishment, which then had eyes only for European art. The painter's first wife's money demands--as well as the success of her jewelry business, which turned him at times into her salesman--resulted in divorce; but with remarriage in 1945 to the young, adoring Mell, Rothko came to be seen as one of a distinctly American group of artists. In the late 1940's, he embraced the abstract luminous colors and rectangular forms that became his trademark, and, in the hands of aggressive dealers, he went rapidly from rags to riches. Still defiant, he returned, after two years' work, a commission to paint panels for the celebrated Four Seasons restaurant when he realized that his efforts could be only decorative. Other commissions followed, but Rothko's colors darkened as his health and marriage deteriorated. In 1970, in despair and pressured by his dealer to sell more paintings, he committed suicide. Providing an expansive view of Rothko and his milieu, and rich in information about the New York art scene--but a breathless enthusiasm for his subject leads Breslin to descriptive excess, especially with regard to individual paintings. (Color & b&w illustrations) -- Copyright �1993, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

27 of 28 people found the following review helpful.
For Rothko, the best a book can do
By Paul Laub
No book can do Mark Rothko justice. He painted on large
canvases. To know him is to confront his original work
on the wall before you. Find your distance, 10, 15,
maybe 30 feet back. Yet to make sense of his
colored rectangles tearing themselves apart in fission,
as well as his earlier, quite different work, some
background helps.
Breslin's book will become the standard reference, but
not perhaps the starting point. He writes engrossingly,
but the 558 pages of text, I fear, will discourage the
casual reader (who might do well to read Robert
Hughes's paragraphs in American Visions).
Still, for the motivated reader, James Breslin's bio is
awesome. The Latvian Jew, charity student at
antisemitic Yale in the early 20s, uncomfortable and
smarter than most there, comes alive, as does his love
for children and their art, as well as his tormented
first marriage to a wife commercially successful during
the Great Depression making jewelry that sold. Rothko
had higher ambitions: fine art spelled with a capital
"A". As Breslin relates, discomfort never disappeared.
Success and recognition did not go over well with
this self-described anarchist who, as a Portland
teenager, enthusiastically took in lectures by Emma
Goldman. Overall, Breslin provides a biographical and
historical foundation with which to understand Mark
Rothko's painting. I am grateful for that.
Finally, of the many biographies I've read, James EB
Breslin's stands out for another reason: in his
Afterword, he turns from Rothko to himself and
addresses his own motivations and challenges in writing
the biography. Biographies are never "objective", so it
makes sense that a biographer might address his own
motivations. In the descriptions of the dangers of
doing research in Rothko's birthplace of Dvinsk, in
interviewing art historian Clement Greenberg, Rothko
reappears again, this time indirectly, one step
removed. That Breslin can bring Rothko alive in these
different contexts is testament to the enduring value
of this long, challenging biography.

13 of 13 people found the following review helpful.
Read This Book
By G. Snowden
I am a painter, an art professor, and a reader of biographies. I couldnt put this book down. Breslin did a magnificent job of getting inside the psyche of Rothko as a man, and as an artist. The paragraphs that describe the way in which Rothko created one of his paintings is absolutely inspired....I had goose-bumps reading it, because it seemed as if Breslin,unlike many writers who say they have observed artists, actually understood the process of creation and the passion behind it. I have never written a fan letter to a writer, but I began one to Mr.Breslin. Imagine my distress and sorrow when I read the next day in the paper that he had passed away! But this book lives as a testament to his thorough research and love of the subject. Get this book and read it....if you love art, artists, or scholarship,you will not be disappointed.

10 of 12 people found the following review helpful.
One of the best books on art let alone Rothko
By Thomas Mcmanus
Only a few biographies of artists are any good. A Giacometti Portrait by James Lord and Picasso by John Richardson and Jackson Pollock by Steven Naifeh come to mind. After reading this excellent biography I must place it with these great books. I am tired of reading art critics who obscure great art rather than illuminate it. This work opens up to the layman in simple and clear writing the beauty and complexity of this modern artist in his struggle to create meaningful and profound art. In this post modernist world such ambitions are scoffed at. Irony is easy but to be profound is the most dangerous thing an artist can attempt. He risks being pompous and bombastic. But Rothko avoids these pitfalls and in the process has become one of our greatest artists. I hope you have as much fun reading this as I did. Books like this are rare. Get it.

See all 18 customer reviews...

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Kamis, 18 Oktober 2012

[F659.Ebook] Ebook Download Bikram's Beginning Yoga Class, by Bikram Choudhury

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All yoga students, beginners or advanced, will benefit from this accessible book. It studies each of the 26 movements, breathing exercises and rest poses that form the basis of every Bikram yoga class. Regular practise will completely transform your health by reversing and preventing illness. This is the only guide available on Bikram Yoga. 'It's never too late, it's never too bad, you're never too old, you're never too sick to start from scratch once again.' Bikram Choudhury Bikram yoga began when Bikram, a former yoga champion, made a full recovery from a crippling accident thanks to yoga, heat and his guru, Bishnu Ghosh. His guru then sent Bikram to Bombay to heal the sick with yoga. Finding that he did not have enough time to help everybody individually, Bikram began to develop an accessible sequence of postures that everyone could follow and benefit from. Today, every class follows the same sequence of 26 postures and exercises in a studio heated to 100 degrees F. This reader-friendly guide studies each of the 26 movements in detail, showing and describing the 'ideal' position as well as what the beginner is more likely to be able to achieve initially and the problems they are likely to encounter. Each move is also accompanied by details of its specific health benefit and a student's personal experience of the posture.

Sales Rank: #480403 in Books
Brand: Brand: Tarcher
Published on: 1978-11-01
Released on: 1978-11-01
Ingredients: Example Ingredients
Original language: English
Number of items: 1
Dimensions: 9.14" h x .56" w x 7.88" l,
Binding: Mass Market Paperback
211 pages

Features

Used Book in Good Condition

About the Author
Born in Calcutta, Bikram Choudhury began studying yoga at the age of four. Bikram's Yoga College operates to overflow capacity in Beverly Hills, New York City, and at other locations around the world.

Most helpful customer reviews

10 of 10 people found the following review helpful.
dangerous over the long term.
By Heather Kitchen
I practiced Bikram yoga for 2 years, and bought this book in the hope of deepening my practice. Unfortunately the book was written in the same language that all the instructors use. In fact, the instructors are sent to teacher training in order to learn to recite dialogue. Bikram Chodhury is a narcissistic egomaniac and it is apparent in the writing of this book. The sequence gets boring, and I have injuries from practicing the same movements every day in the heat. Since I quit Bikram, I have taken over 500 hours of teacher training (not Bikram). My advice to everyone out there practicing is to never ever ever lock your knees as they recommend in this style of teaching. I flexed my quadriceps as they recommend in an effort to make this safe, but years later my knees are still hyperextending to an alarming degree. The heat causes your ligaments to soften and stretch, so keeping a micro-bend in the knee is highly advisable. Bikram yoga is a great gateway into the wonderful world of yoga, but I don't recommend making it a regular part of your life for very long.

1 of 1 people found the following review helpful.
Good book for reference, goes great with CD
By jackie
So, Bikram yoga. this is the best yoga for a complete workout by far... Now, I have worked out in a bikram studio for about a year, but the times and distance did not work for me. So, what I did was order the complete CD from Bikramyoga.com it has bikram himself running you through the entire class, then I use the book for reference. I have a small room at home that I put a space heater and a warm humidifier in heat up the room to about 90degrees turn on the Cd and do my yoga workout at home.. if you have the chance to go to a studio at least once I suggest that you do that, because there are little nuances that the instructors go over that you don't get in a book or CD.. Now I have my hot Bikram yoga whenever I want at home. I love it.!

2 of 2 people found the following review helpful.
Bikram Yoga is my Fountain of Youth
By Eljay Morales
One of the more beneficial forms of Yoga I have found for my body - Bikram Yoga is my Fountain of Youth.

After 40 years of practicing Bikram Yoga, I speak from inner truth that my body loves and needs these specific asana (postures) performed in sequence every time to regain physical balance from the onslaught of toxicity in the air, food, water and stress caused by local / global social unrest. This regimen allows the total body mechanics to create muscuar and cellular memory through repetition. The postures are never boring as one becomes more ingrained and sensitive to how the postures feel in the body AND how we feel after we've completed the asanas to our best ability on any given day.

To explore the history of Choudhury Bikram and how he came to create this 26-asana practice, one can appreciate his early beginnings and influencers such as Bishnu Ghosh, brother of Parahamsa Yogananda (Autobiography of a Yogi). While there are hundreds of Yoga postures, this practice focuses on 26, each scientifically chosen to reach every part of the body during a 90-minute session - creating and sustaining inner life force so we may acknowledge and share our life purpose with clarity, balance, determination, fortitude and strength.

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Minggu, 14 Oktober 2012

[H288.Ebook] Ebook THE AUTOBIOGRAPHY OF FRANCO ZEFFIRELLI

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Sales Rank: #13445007 in Books
Published on: 1986
Binding: Hardcover
358 pages

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Rabu, 10 Oktober 2012

[X955.Ebook] PDF Ebook Environmental Diversity in ArchitectureFrom Routledge

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This book takes the position that the dynamic of the architectural environment is a key aspect of good design, yet one which is not well anticipated or understood. Environmental variety is a design characteristic closely related to our experience of architecture - an architecture of the senses. Each chapter demonstrates how an understanding of a particular context or environmental characteristic in dynamic terms informs design. The book is an antidote to the misconceptions of 'optimum' environmental performance or fixed criteria, instead embracing the richness of environmental variety.

Sales Rank: #2878167 in eBooks
Published on: 2004-08-02
Released on: 2004-08-02
Format: Kindle eBook

About the Author
Koen Steemers is a director of the Martin Centre for Architectural and Urban Studies and a senior lecturer at the University of Cambridge Department of Architecture. He specialises in aspects of environmental design in architecture, has practices as an architect in the UK and Germany, and is a Director of Cambridge Architectural Research Limited. His recent publications include Energy and Environment in Architecture (2000), and Architecture City Environment (2000), The Selective Environment (2002), Daylight Design of Buildings (2002).

Mary Ann Steane is a lecturer in the University of Cambridge Department of Architecture. She lectures on environmental issues and is also a course director of the MPhil in Environmental Design. In the studio courses she delivers the acknowledgement and integration of environmental design issues is always given particular emphasis. Her research marries technical analysis with a more historical perspective. The current focus of her research is on natural lighting strategies, and seeks to enable more precise communication about light quality, and thus to develop a more nuanced appraisal of natural lighting strategies in their broader topographic, climatic and programmatic context.

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